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Ellipsis Land

Ellipsis Land

Ellipsis Land

Trailer by Roswitha Chesher

Trailer by Roswitha Chesher

Trailer by Roswitha Chesher

Ellipsis Land is a performance choreographed and performed by Josefina Camus and Pepa Ubera, with sound by Simone Salvatici. The project began in 2014 and has evolved through multiple iterations, responding to shifts in technology, perception, and embodied experience. Early versions were presented at Limen Festival (TripSpace Projects in collaboration with the Hayward Gallery, London, October 2014), Sadler’s Wells Theatre (November 2017), and as part of the first BMW TATE Live Exhibition: Ten Days Six Nights, at Tate Modern, London (March 2017).

Ellipsis Land is a performance choreographed and performed by Josefina Camus and Pepa Ubera, with sound by Simone Salvatici. The project began in 2014 and has evolved through multiple iterations, responding to shifts in technology, perception, and embodied experience. Early versions were presented at Limen Festival (TripSpace Projects in collaboration with the Hayward Gallery, London, October 2014), Sadler’s Wells Theatre (November 2017), and as part of the first BMW TATE Live Exhibition: Ten Days Six Nights, at Tate Modern, London (March 2017).

Ellipsis Land is a performance choreographed and performed by Josefina Camus and Pepa Ubera, with sound by Simone Salvatici. The project began in 2014 and has evolved through multiple iterations, responding to shifts in technology, perception, and embodied experience. Early versions were presented at Limen Festival (TripSpace Projects in collaboration with the Hayward Gallery, London, October 2014), Sadler’s Wells Theatre (November 2017), and as part of the first BMW TATE Live Exhibition: Ten Days Six Nights, at Tate Modern, London (March 2017).

"Skin has become inadequate in interfacing with reality. Technology has become the body’s new membrane of existence ".


(1978) Nam June Paik.

"Skin has become inadequate in interfacing with reality. Technology has become the body’s new membrane of existence ".


(1978) Nam June Paik.

"Skin has become inadequate in interfacing with reality. Technology has become the body’s new membrane of existence ".


(1978) Nam June Paik.

Drawing from artists working at the intersection of art and technology, Ellipsis Land investigates how the body interfaces with a reality increasingly mediated by digital systems. Through choreography, sound, and video, we create an expanded spatial and perceptual experience — a choreographic device where the body, technology, and space becomes interconnected membranes.

The work explores the tension and intimacy between the virtual and the physical, asking: How do we feel in a world where technology prevails? How has our nervous system adapted to the technological environment that surrounds us? In Ellipsis Land, the body becomes a site of transmission and reception, a membrane that vibrates, absorbs, and emits. Through repetition, resonance, and energetic states, the choreography traces a journey across physical and speculative terrains. We work with a language that is both visceral and symbolic. The performers move between states — becoming astronauts, insects, seaweed, jellyfish, molecules, and geometrical forms. These embodied images form a living landscape that dissolves the boundary between organism and environment, between sensation and structure. Articulating the organic and the artificial, Ellipsis Land constructs a perceptual universe that reconfigures how we relate to space, gravity, architecture, and sound. It invites the audience into a realm where the body is no longer separate from its surroundings, but an active node within a continuously shifting field of relations.